WEBSERIES (ACTING)
HINDI FILMS (ACTING)
MARATHI FILMS (ACTING)
MY THEATER (ACTING)

WADA CHIREBANDI, MAN TALYAKATHI, YUGANT (TRIOLOGY)
Year – 2005
Writer – Shyam Manohar
Director – Deepak Rajadhyaksha

JAWAN TRAMBAK
Year – 2000
Writer – Makarand Deshpande
Director – Makarand Deshpande

SHOBHAYATRA
Year – 1999
Writer – Shafat Khan
Director –Ganesh Yadav

FAUST
(HINDI VERSION)
Year – 1994
Writer – Gaute
Director – Fritze Benewitz

AAMHI LATIKE NAA BOLU
Year –1994
Writer – P.L. Deshpande
Director – Vikram Watve

BAMBAI KE KAUE
Year – 1992
Writer – Shafat Khan
Director – Bhupendra Deshmukh

DOCTOR TUMHISUDHA
Year – 1991
Writer – Ajit Dalvi
Director – Chandrakant Kulkarni

DUSARA SAMANA
Year – 1990
Writer – Satish Alekar
Director – Wanam Kendre

GHAR GHAR
Year – 1988
Writer – Harsh Shvisharan
Director – Harsh Shvisharan

Samman Hous
Year – 1991
Writer – Ajit Dalvi
Director – Chandrakant Kulkarni
Shivaji Underground In Bhimnagar Mohalla
Concept, lyrics by Sambhaji Bhagat.
Written by Rajkumar Tangade.
The play Shivaji Underground in Bhimnagar Mohalla was written by Shahir Sambhaji Bhagat and directed by Nandu Madhav.
It is a socio-political satire that challenges historical narratives and promotes equality.
This powerful Marathi play examines how Chhatrapati Shivaji Maharaj’s image has been used in different political and social narratives. It contrasts people’s Shivaji, who stood for justice and equality, with the Shivaji projected by power structures, often distorted for political gain.
Nandu Madhav delivers a commanding performance, guiding the audience through complex themes of history, caste, politics, and representation, often using street-theatre style, music, and powerful dialogues.
The play has been widely acclaimed for:
Its sharp political commentary
Satirical tone
Use of live music and folk performance traditions

SHORT FILMS (ACTING)

THE DRAINAGE
Year – 2019
Character – Man
Director – Vikrant Badarkhe
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AKADA
Selected In- Asian Film Festival Mumbai, Bhopal Film Festival,
Delhi Film Festival
Year – 2006
Produce And Directed
Public Opinion Productions (POPS)
Aakada (The Hook)
This is a story of farmers who steal electricity from transmission wires by putting a tapping “Hook” at night.
During the process, we meet people and witness incidences which give an insight into the present socio-political situation of agrarian India.
This is a dark story ironically “highlighting” the plights of Indian farmers.
SHWET ANGAAR
Selected In-Asian Film Festival Mumbai & Short Film Corner
Cannes Film Festival (France) 2007
Year – 2007
Directed
Produce by IME
